Thursday, May 31, 2012

Alessandra Meniconzi: Nenets Of Arctic Siberia

Photo © Alessandra Meniconzi_All Rights Reserved

“I prefer remote and rugged places, mountainous terrain and desert."


Yes, Alessandra Meniconzi prefers to travel to areas many other travel photographers wouldn't think of going because they're truly remote and inaccessible. An excellent photographer, she's also extremely versatile, and her updated website features new galleries that cover most of the globe's regions.

Alessandra's galleries range from the Arctic Siberia to Ethiopia, from Lapland to the Silk Road, and from Greenland to Tibet and the Himalayas. She worked extensively for more than a decade in the remote areas of Asia, documenting minority people and their traditional cultures. More recently, she focused on the Arctic and sub-Arctic regions that are threatened by climate change, development, and resource extraction.

I chose to feature her Nenets of The Arctic Siberia gallery, as it's one of her most recent work. The Nenets are an indigenous people in northern arctic Russia. According to the latest census in 2002, there are 41,302 Nenets in the Russian Federation. They have a shamanistic and animistic belief system which stresses respect for the land and its resources.

Her photographs have been published widely in magazines, as well as in books for which she was the sole photographer: The Silk Road (2004), Mystic Iceland (2007), Hidden China (2008) and QTI -Alessandra Meniconzi, Il coraggio di esser paesaggio (2011).

Wednesday, May 30, 2012

Foundry Photojournalism Workshop: My Multimedia Class: The Quick And Easy


I thought I'd post the description of the class I'll be teaching at the forthcoming Foundry Photojournalism Workshop in Chiang Mai. And in so doing, I'm also encouraging those interested in photojournalism and photography to join this event, in which all the instructors are amongst the best photojournalists available.

This will be the 5th time I am to teach at the Foundry, and I'm thrilled to have been included since its inception in Mexico City in 2008.

I will teach a multimedia class that allows its participants to concentrate on their stories, rather than on the application. The purpose and aim of the class is to show photojournalists how to make quick work of slide show production, using their own images and audio generated in the field, to produce a cogent photo stories under the simulation of publishing deadlines. Most of the class’s time will be spent photographing in the field, while indoors time will be devoted to weaving the material into photo stories.

This class will require participants to produce two short (about 3 minutes -or less- each) photo stories: one of human interest (narrative and preferably in monochrome), and the other thematic
(travel-documentary for example, and in color).

Participants will be required to use Soundslides (or iMovie) software, and Audacity for audio. Participants must have Digital Audio Recorders (such as the Zoom H1). Soundslides can be downloaded in its trial format, while Audacity is a free sound editor.

Fuji X-Pro1 Goes Globe Trotting


How could I have I missed this?

Fujifilm and British luxury luggage manufacturer Globe-Trotter have joined forces to create an exclusive travel case and X-Pro1 camera package that takes the "limited edition" tag to its extreme.  It's restricted to Harrods, and only 12 are available for sale at £5,695 ($ 8800 or so). Since all of the camera hardware can be bought from B&H for about $3800, the travel case on its own probably costs in the vicinity of $3000 (adjusted for VAT).

Each travel case contains a Fujifilm X-Pro1, its three lenses, a flash and a filter. No mention of a handful of SD cards thrown in.

Since Britain is celebrating the Queen's Jubilee this week, here's another bit of useless trivia for you: Queen Elizabeth II purchased her Globe-Trotter suitcases for her honeymoon from Harrods. She probably still uses them.

This is a page out of Leica's playbook. Targeting the very wealthy who seek status symbols, while probably knowing very little of photography. I bet we'll be seeing more of this luxury "packaging" in the future for both Leica (as it usually does) and the upstart X-Pro1.

Tuesday, May 29, 2012

Chico Sanchez: The Dresser

Photo © Chico Sanchez-All Rights Reserved

To break the recent string of India and Asia related posts, here is The Dresser, an audio slideshow by Chico Sanchez, a freelance photographer based in Mexico City.

The Dresser is Cesar Diaz, a professional dresser (el vestidor in Spanish) of religious icons, from Jerez de la Frontera, Cadiz, Spain. In this audio slideshow, Cesar demonstrates how he prepares Our Lady of Sorrows for an Easter Holy Week celebration in the village of Prado del Rey, in Andalusia, Spain.

I've featured the work of Chico Sanchez, a freelance photographer based in Mexico City, on a number of occasions. Chico worked in Venezuela, collaborating with Reuters, European Pressphoto Agency, Agencia EFE, and currently freelances for various newspapers and magazines.

Monday, May 28, 2012

POV: Memorial Day



Memorial Day is a day of remembering the men and women who died (and in my view, also those who were wounded and maimed) while serving in the United States Armed Forces...

It also ought to be a day when we shame the old men who sent and still send young men and women to senseless wars...wherever and whenever.

As Herbert Hoover said:
Older men declare war.
 But it is the youth that must fight and die.

Sunday, May 27, 2012

Regarding Jewish Culture Festivals, as Anchors for Travel

 A version of this post originally appeared on my En Route blog for the Los Angeles Jewish Journal

Long line waits to visit Old Synagogue on the Night of Synagogues, 2011. Photo (c) Ruth Ellen Gruber



By Ruth Ellen Gruber

An article in The Forward advocates something that I have long urged travellers to do—use some of the many Jewish culture and other such festivals in Europe as anchor points for summer travels.
The article highlights just two festivals—the wellknown Jewish Culture Festival in Krakow, and the lesser known festival in Trebic, Czech Republic.
The Třebíč festival is made up of storytellers, musicians, historians and dancers. Most are local, though some come from nearby Prague; the well-known mix with newcomers, locals who are investigating their history by learning the music, dance and literature of the past.
Krakow and Třebíč offer an alternative way to feel what was lost and experience what remains. Festivals are a means for heritage-oriented tourists to engage in more than anguish; a chance for those who want to experience a center of Jewish culture to do so unabashedly and, in the process, meet locals of a variety of faiths gathered for a communal celebration of Jewish life.
Read more: http://forward.com/articles/156823/finding-jewish-life-in-eastern-europe/?p=all#ixzz1w3Ye4ja1
But—as I point out in the annual list of festivals that I compile for this blog  —there are dozens of Jewish culture and other festivals around Europe each year. My annual list includes only a fraction. There may be as many as 20 or 30 in Poland alone.

One of the most exciting—and one of the ones that actually has a direct connection to reviving Jewish life—takes place next weekend, June 2-3. It is the second edition of 7@Nite, or what I called the “night of the living synagogues” in Krakow.

On that night, all seven synagogues (and former synagogues) in Krakow’s historic Jewish district, Kazimierz, are open to the public, each one hosting a different event or activity that highlights contemporary Jewish life.

As I wrote in a JTA column last year, after the first 7@Nite:
I’ve never seen anything quite like it, even though I’ve followed the development of Kazimierz for more than 20 years—from the time when it was an empty, rundown slum to its position now as one of the liveliest spots in the city.
I’ve witnessed—and chronicled—the development of Jewish-themed tourism, retail, entertainment and educational infrastructure in Krakow, including the Jewish Culture Festival that draws thousands of people each summer. And I’ve written extensively about the interest of non-Jews in Jewish culture.
But Seven at Night was something different. For one thing, nostalgia seemed to play no role. And also, unlike many of the Jewish events and attractions in Kazimierz, this one was organized and promoted by Jews themselves.
It was their show, kicking off with a public Havdalah ceremony celebrated by Rabbi [Boaz] Pash that saw hundreds of people singing and dancing in the JCC courtyard.


Regarding Jewish Culture Festivals, as Anchors for Travel

 A version of this post originally appeared on my En Route blog for the Los Angeles Jewish Journal

Long line waits to visit Old Synagogue on the Night of Synagogues, 2011. Photo (c) Ruth Ellen Gruber



By Ruth Ellen Gruber

An article in The Forward advocates something that I have long urged travellers to do—use some of the many Jewish culture and other such festivals in Europe as anchor points for summer travels.
The article highlights just two festivals—the wellknown Jewish Culture Festival in Krakow, and the lesser known festival in Trebic, Czech Republic.
The Třebíč festival is made up of storytellers, musicians, historians and dancers. Most are local, though some come from nearby Prague; the well-known mix with newcomers, locals who are investigating their history by learning the music, dance and literature of the past.
Krakow and Třebíč offer an alternative way to feel what was lost and experience what remains. Festivals are a means for heritage-oriented tourists to engage in more than anguish; a chance for those who want to experience a center of Jewish culture to do so unabashedly and, in the process, meet locals of a variety of faiths gathered for a communal celebration of Jewish life.
Read more: http://forward.com/articles/156823/finding-jewish-life-in-eastern-europe/?p=all#ixzz1w3Ye4ja1
But—as I point out in the annual list of festivals that I compile for this blog  —there are dozens of Jewish culture and other festivals around Europe each year. My annual list includes only a fraction. There may be as many as 20 or 30 in Poland alone.

One of the most exciting—and one of the ones that actually has a direct connection to reviving Jewish life—takes place next weekend, June 2-3. It is the second edition of 7@Nite, or what I called the “night of the living synagogues” in Krakow.

On that night, all seven synagogues (and former synagogues) in Krakow’s historic Jewish district, Kazimierz, are open to the public, each one hosting a different event or activity that highlights contemporary Jewish life.

As I wrote in a JTA column last year, after the first 7@Nite:
I’ve never seen anything quite like it, even though I’ve followed the development of Kazimierz for more than 20 years—from the time when it was an empty, rundown slum to its position now as one of the liveliest spots in the city.
I’ve witnessed—and chronicled—the development of Jewish-themed tourism, retail, entertainment and educational infrastructure in Krakow, including the Jewish Culture Festival that draws thousands of people each summer. And I’ve written extensively about the interest of non-Jews in Jewish culture.
But Seven at Night was something different. For one thing, nostalgia seemed to play no role. And also, unlike many of the Jewish events and attractions in Kazimierz, this one was organized and promoted by Jews themselves.
It was their show, kicking off with a public Havdalah ceremony celebrated by Rabbi [Boaz] Pash that saw hundreds of people singing and dancing in the JCC courtyard.


Foundry Photojournalism Workshop 2012 Contest!!!


Eric Beecroft just circulated this amongst the instructors, so here is the fresh news!

You can win ONE FULL FREE TUITION TO THIS YEAR'S FOUNDRY PHOTOJOURNALISM WORKSHOP in CHIANG MAI, THAILAND. 

Winning=ONE  free tuition AND an invite to the pre workshop faculty and staff private dinner. 

HOW TO PLAY: (read and keep the rules or you'll be disqualified)

1. You may post ONE PHOTO TOTAL on the Facebook Foundry Workshop Page. Thats one photo, over the 10 day span of the contest. 

2. The theme is 'Home.'  You can interpret that however you wish. There is no trick or secret, we aren't looking for abstract or concrete here. Just good photos. 

3. The winner will be decided by who gets the most votes/likes on their image on the Foundry Facebook page at the end of the 10 day period.  YOU MAY NOT LIKE OR VOTE FOR YOUR OWN IMAGE. 

4. Anyone and everyone can vote, invite your friends and family to visit the page and like the best photos they see.  This is open to the public.  You can come back and vote multiple times for different people's images.

5.  The voting is not meant to be a popularity contest.  We think that the best photographs will rise to the top of the entry pile. At least thats the plan. 

6. CONTEST BEGINS SUNDAY MAY 27 at 12AM MOUNTAIN STANDARD TIME.  AND ENDS JUNE 5 2012 at 7 PM MOUNTAIN STANDARD TIME. 

7. One winner will be announced within 3 days of contest ending. 

8. EVERYONE WHO ENTERS CAN TAKE 10%  OFF FULL FOUNDRY TUITION FOR THIS YEAR WORKSHOP! WE ARE SO GENEROUS! - THATS $100 dollars for internationals/westerners, and $50 dollars for locals/regionals. JUST BY ENTERING!

Those who enter can get this reduction in price by paying the reduced amounts via Paypal (for internationals- $875; for locals- $375) directly to:info@foundryphotoworkshop.org or pay via Western Union if you need to. 

9. Already registered/paid tuition ? Students already registered can enter but if they win they get free tuition to Foundry 2013. Where will it be held ? thats a surprise until end of Foundry 2012….

SMALL PRINT: READ IT!!!! 

We reserve the right to exclude photographers who don't fit the criteria of:
international/western photographers:  3 years working as a professional photographer or less 
locals- no restrictions on length of time worked as a photographer

We reserve the right reject entries that we feel are too manipulated, photoshopped, etc- its a photo contest not an illustration contest.

We will reject images that you steal from others. We don't even want you at the workshop if you do this. 

We reserve the right to reject entries that have multiple likes from the same person, should you figure a way to do this. 

We reserve the right to be the boss of the contest, and that means if anything else comes up, we reserve the right to reject and award the winning photograph based on principles of fairness, ethics and good old fashioned sportsmanship. We reserve the right that no one else has this right but us, since its our party. 
Cheaters never prosper. 

Saturday, May 26, 2012

Sacbee's The Frame: Kevin Frayer's Urs Festival

Photo © Kevin Frayer-All Rights Reserved

I've been waiting for coverage of this event! Just look at this flamboyant character!!!

The Sacramento Bee's photo blog The Frame features Kevin Frayer's remarkable photographs made during a major Sufi Muslim Urs festival in Rajasthan.

It starts off the series of these 36 photographs telling us that thousands of Sufi devotees from different parts of India annually travel to the shrine of Sufi Muslim saint Hazrat Khwaja Muinuddin Chishti, in Ajmer, in the Indian state of Rajasthan for the annual Urs festival observed to mark his death anniversary.

Along with other photographers, I've been photographing the Sufi traditions in South Asia for a while, especially trying to underscore the syncretic elements of this tradition with Hindusim, but to my chagrin I haven't been to this festival as yet...although I was in Ajmer a number of times.

Moinuddin Chishti is the more famous and revered Sufi saint of the Chisti order of the Indian Subcontinent. He was born in 1141 and died in 1230 CE, and is believed to be a descendant of the Prophet Muhammed. He interpreted religion in terms of human service and exhorted his disciples "to develop river-like generosity, sun-like affection and earth-like hospitality."

I cannot help but to piggyback this feature by adding my own work on The Possessed of Mira Datar; an audio slideshow of black & white photographs made at one of the most famous shrines (or dargahs) in Gujarat. The still photographs of this audio slideshow were presented at the Angkor Photo Festival last November.

And for those who follow my posts for clues to my future photo expeditions-workshops, this may well be one for 2013. It'll be as intense as the Oracles of Kali's festival, the focus of my most recent photo expedition in Kerala this past March.



Friday, May 25, 2012

Anthony Pond: Ginger Godowns (Mattencherry)



Anthony Pond is certainly prolific. His multimedia piece Ginger Godowns is the fourth audio slideshow I feature on my blog, and the second of his photographs and audio recordings made during The Oracles of Kerala Photo Expedition/Workshop™.

And I know he's got a few more up his sleeve.

This time, he focuses on the area of Mattencherry with its ancient warehouses, or godowns, of ginger, pepper, turmeric, rice and other spices which are hand-sifted, bagged and marketed, filling the air with pungent, sharp aromas, which you can almost smell from this audio-slideshow.

The area of Mattencherry dates back to the Arab, Portuguese and Dutch traders before British colonial times, and its streets are lined with old dilapidated warehouses which can be easily imagined as having been in use even much before the 1500s.

Thursday, May 24, 2012

Elissa Bogos: Afghan Tea House Poets


"Let all the infidels become Muslims"

Here's a wonderful short (too short!) video made by Elissa Bogos in a tea house in Afghanistan on 11.11.11 for One Day on Earth.

I describe it as wonderful, not because of the unfortunate intolerance expressed by the old man towards the end of the clip, but because it's beautifully filmed, because of its ambience and because of the music. I wished the clip had been much longer, and that it tarried longer with the "poets" who recited traditional verses (and expressed their gripes), and that it lingered around the corners of the tea house.

Elissa Bogos is a freelance photojournalist and videojournalist based in Kabul, Afghanistan. She was the editor-in-chief of The Sakhalin Times, an English language weekly in the Russian Far East.

Her photographs and videos were published in The New York Times, BBC, The Guardian, EurasiaNet, The Huffington Post, The Montreal Gazette, Reuters, New York Daily News and in other media. In Afghanistan, she freelances for a variety of NGOs and private companies and has worked with the Associated Press, Tolo TV and Channel One TV.

Wednesday, May 23, 2012

NYTimes: Moises Saman's Egypt's Choice


Presidential election fever has been gripping Egypt for months, and it'll perhaps come to a conclusion in the coming few days...or in another few weeks, if a runoff is the case.

Along with many millions of Egyptians, I couldn't believe my eyes when watching the first ever presidential debate in the Middle East took place earlier this month. Yes, it was flawed...yes, the two frontrunners went overboard in hyperbole and off topic attacks one each other... but nowhere else in the Arab world, has such a spectacle ever been seen before.

Yes, Egypt's political transition has been farcical, messy, bizarre, chaotic, violent, unpredictable, and serious, ....however after centuries of Pharaonic kingdoms, various foreign occupations, colonialism,  royalty and dictatorships, Egyptians were now experiencing the teething pains of democracy. I raise my hands in wonder when I read articles by educated journalists and pundits who claim that after 30 years of Mubarak's regime, Egypt is experiencing democracy. It's not 30 years...but over 2500 years!

In recognition of this critical milestone in Egypt's (and in the world's) history, I feature Moises Saman's Egypt's Choice as published in The New York Times.



Tuesday, May 22, 2012

My Work: The Art of Kathakali




One of the highlights of my Oracles of Kerala Photo Expedition-Workshop this past March was spending half a day at a Kathakali school near Thrissur, and documenting the preparations and performance of this ancient art. It was totally distinct from the usual superficial performances shown at the various tourist hotels, and the professionalism of the performers was breathtaking. Apart from the talent of the performers, I was especially struck by the singing which you hear on this "photo-film".

Kathakali is one of the oldest theatre forms in the world, and originated in Kerala. It's a group production, in which actors-dancers take various roles in performances based on themes from Hindu mythology, such as the Ramayana and the Mahabharata.

The elaborate make up sessions often take longer than the performances themselves, and follow a certain ritual.

I chose to process the photographs in sepia (DxO Labs), which were made with a Canon 5D Mark II and a Leica M9, with the ambient audio recording on a Tascam DR40.

You can also watch it in HD on Vimeo.

Monday, May 21, 2012

Hadassah Magazine likes Jewish Heritage Travel


Hadassah Magazine gives a nice review to Jewish Heritage Travel and Jewish Heritage Europe!

"From touring shuls in Ukraine to visiting a Sarajevo Jewish cemetery, travel writer Ruth Ellen Gruber’s blog, jewish-heritage-travel.blogspot.com and Jewish Heritage Europe, jewish-heritage-europe.eu, a new aggregate site coordinated by Gruber, serve as complementary guides to the continent. Jewish Heritage Europe is a comprehensive resource, fostering interest in Jewish heritage sites for academia and tourists. The blog lends a personal touch, for example, by taking readers to a concert at a synagogue in Slovakia."


Hadassah Magazine likes Jewish Heritage Travel


Hadassah Magazine gives a nice review to Jewish Heritage Travel and Jewish Heritage Europe!

"From touring shuls in Ukraine to visiting a Sarajevo Jewish cemetery, travel writer Ruth Ellen Gruber’s blog, jewish-heritage-travel.blogspot.com and Jewish Heritage Europe, jewish-heritage-europe.eu, a new aggregate site coordinated by Gruber, serve as complementary guides to the continent. Jewish Heritage Europe is a comprehensive resource, fostering interest in Jewish heritage sites for academia and tourists. The blog lends a personal touch, for example, by taking readers to a concert at a synagogue in Slovakia."


POV: Will QR Codes Be Useful?

I've been seeing these QR codes for some time now....some airlines offer them as an alternative to printed boarding passes, banks have them to facilitate mobile banking, and even cars have them painted on their sides. I've used them to download my boarding passes on a couple of occasions.

The QR codes are sort of barcodes that can hold thousands of alphanumeric characters of information, and their ease of use makes them practical for businesses. When you scan or read a QR code with your iPhone, Android or other camera-enabled Smartphone, you can link to digital content on the web; activate a number of phone functions including email, IM and SMS; and connect the mobile device to a web browser!

Cool! So my quick search revealed there are many free QR Code generators such as Kaywa and others, and naturally I immediately filled in my The Travel Photographer website's URL, and voila!!! The square barcode you see above is the QR Code for it. You scan it with your iPhone/Android and your browser will immediately log on to my website.

This is the QR of for my blog, The Travel Photographer's Blog:


And finally, here's the QR Code for The Leica File:


Is it useful for photographers? I have no idea.  For the time being, I can only think of one use for it (apart from how the airlines and banks do), and that is to have it printed on one's business card. The recipient would scan it into his/her device and would be immediately logged on to your website.


Sunday, May 20, 2012

NYC's United We Dance Parade With The X Pro-1



All Photos ©2012 Tewfic El-Sawy (Click To Enlarge)

Serendipity was the reason I stumbled on New York City's 6th Annual Dance Parade yesterday.

Barricades and police presence around St. Marks Place can portend a lot of things these days, but when I was handed an announcement for United We Dance, I suspected I'd have a good time. This was corroborated by a woman standing besides me who predicted I'd also get fantastic photographs.

I only carried my Fuji X Pro-1 fitted with the Fujinon 18mm f2.0, and since the barricades had been erected along the route of the parade, I wasn't sure it'd work with such a short range lens. I was on the verge on hurrying back home and get my Canon 5D MarkII and the 70-200 f2.8 that serve me well in such events....but as the police seemed to not be in the mood to restrict photographers, press affiliated or not, I chose to stay and ignore the barricades.

 It worked.

Naturally, I had to compete with other photographers who had the "appropriate" gear,...DSRLS mostly with long zoom lenses, but I had reasonable access to the dancers as they performed. I chose a spot on 8th Street that was in the shade (the other side of the street was very sunny), took a reading off the asphalt, and kept my camera's setting at 1/500 sec and an aperture of f2.0 (for a shallow DOF).

In a way, it was both frustrating and liberating to shoot with the X Pro-1. I was frustrated in not having the 70-200 lens (or even a 24-70mm) with me for some close portraiture of the gorgeous dancers...and frustrated that the X Pro-1 seemed to 'oversleep' sometimes. I probably missed about 4-5 photographs because the X Pro-1 didn't respond as quickly as I wanted. Its AF also seemed to be confused  in some situations.

The liberating aspect of having the X Pro-1 is that it forced me to be close and personal with the dancers.   Its size makes it so much easier to be unobtrusive, although the dancers were eager to be photographed, so stealth was a little difficult.

The JPEG photographs were processed (minimally) in Photoshop.

Saturday, May 19, 2012

POV: TIME Magazine Cover Of Netanyahu



The drivel featured by TIME-Lightbox in relation to its magazine cover of Netanyahu is nausea-inducing on many levels.

But let's stay on what the cover seeks to tell us. In my view, it tries to tells us that Netanyahu's stare is that of a politician,  tough, steely and unwavering...that line may perhaps get swallowed in New York City, but in Europe and the Middle East (yes, TIME magazine will feature the same covers on all its international editions), it'll be construed as a stare of arrogance, zealotry and defiance.

Then, it tells us that he's a "King"...presumably because he has "conquered" Israel by convincing the centrist Kadima Party to join a coalition...and then the cover uses Netanyahu's nickname as a baby (or whatever Bibi is). Is the purpose of infantilizing the name to familiarize him vis-a-vis the American public? Make him one of us...since we have the rather unfortunate habit of nicknaming everyone? 

For crying out loud, the fellow's name is Binyamin Netanyahu...use it.

Drivel.

Friday, May 18, 2012

8th Angkor Photo Workshops: Applications Open



The Angkor Photo Workshops is back for the 8th year, and has now announced that it is accepting applications.

I can't emphasize strongly enough that it is a phenomenal opportunity for all photographers, emerging and established, and this comes from personal experience following my attendance and participation last year. It was a delightful experience to meet all those concerned with the workshop, and co-mingle with the hundreds of photographers who joined it.

The Angkor Photo Workshops is held annually in Siem Reap, and is offered free to selected young photography talents from Asia. The week-long professional photography workshop provides participants with firsthand training, invaluable exposure, and a chance to develop their personal photographic style and vision. Over the years, the workshop has highlighted emerging talent from the region, and many previous participants are now pursuing successful photography careers.

Gumroad: Selling For Photographers?


I saw a post about Gumroad on Pixiq, and its premise piqued my interest, as it may do for my readers.

Gumroad claims that it serves to democratize the ability to sell stuff online, and 'stuff' obviously includes photographs, or songs, albums, videos, and other products. It does so by creating a link to your photograph(s) so that your fans, friends, and followers who want to buy it, can do so, and no store set up is needed.

Gumroad's fee structure is states as 5% + 25¢ of each transaction.  If you sell a photograph for $100, the fee is $5.24 and $94.75 is deposited into your bank account. According the Gumroad's FAQ, it supports Visa, MasterCard, American Express, Discover, JCB, and Diners Club cards.

It may be worth one's time to try this service out.


Thursday, May 17, 2012

Jewish museums at the European Night of Museums, May 19

 This post originally appeared on my En Route blog at the Los Angeles Jewish Journal


Museum of Jewish Culture in Bratislava, one of the participating institutions. Photo (c) Ruth Ellen  Gruber

By Ruth Ellen Gruber


Jewish museums and other cultural institutions in a number of European countries will be open from dusk on Saturday until the wee hours Sunday as part of the annual European Night of the Museums. The Night of the Museums was founded in 2005, and more than 4,000 institutions in 40 countries took part last year, offering free entrance and special programs for visitors.

This year, Jewish museums and other cultural institutions in Spain, Serbia, Russia, Ukraine, Italy, Slovakia, England, Poland, France, and elsewhere are opening their doors as part of the event. There will be concerts, performances and special exhibits and programs as well as free visits to the museums and institutions themselves.

You can find information for some of the events on the Calendar of the web site www.jewish-heritage-europe.eu

Jewish museums at the European Night of Museums, May 19

 This post originally appeared on my En Route blog at the Los Angeles Jewish Journal


Museum of Jewish Culture in Bratislava, one of the participating institutions. Photo (c) Ruth Ellen  Gruber

By Ruth Ellen Gruber


Jewish museums and other cultural institutions in a number of European countries will be open from dusk on Saturday until the wee hours Sunday as part of the annual European Night of the Museums. The Night of the Museums was founded in 2005, and more than 4,000 institutions in 40 countries took part last year, offering free entrance and special programs for visitors.

This year, Jewish museums and other cultural institutions in Spain, Serbia, Russia, Ukraine, Italy, Slovakia, England, Poland, France, and elsewhere are opening their doors as part of the event. There will be concerts, performances and special exhibits and programs as well as free visits to the museums and institutions themselves.

You can find information for some of the events on the Calendar of the web site www.jewish-heritage-europe.eu

Sebastian Cortés: Backwaters India

Photo © Sebastian Cortes-All Rights Reserved
You'll have to navigate Sebastian Cortés's website a little bit to land on his Travel page which groups his wonderful work in photo essay form.

There are some 12 of those...Backwater Kerala (from which the above photograph is shown), Forever Rajasthan, Chic In Milan, Sidhpur in Gujarat (with magnificent old mansions...probably called havelis as they do in Rajasthan), Venice, Varanasi, Cinque Terre, the Colosseum in Rome, Fort Kochi, Portofino, Sotth Beach (Miami) and the Maldives.

If you haven't guessed it by now, yes...Sebastian Cortés works in both Italy and India. He was born in New York, and took up photography while at New York University film school.  In 1985, he moved to Milan and started photographing fashion and lifestyle photography assignments for international magazines and commercial clients, while also concentrating on portraits and fine-art work. In 2004 Sebastian moved together with his family to India, where he continues to work and produce various book projects.

Here's also his work of Pondicherry's interiors.


 

Wednesday, May 16, 2012

POV: Bhutan...No More Shangri-La?

Photo © Tewfic El-Sawy-All Rights Reserved
Is Bhutan no longer the "Shangri-La"?

I've traveled to Bhutan no less than 5 times over the past 12 years, leading photo expeditions that were extremely popular and were well attended. These photo expeditions were especially enjoyable, provided its participants and myself a solid inventory of photographs of Bhutan's unique culture, traditions and religious festivals, and were trouble-free.

However, over my last three photo expeditions in 2006, 2008 and 2009 I noticed changes...some subtle and others not so subtle. Tourism had progressively become a huge business. The guides and fixers we had on these photo expeditions have become tour operators themselves, luxury hotels chains (such as the Aman Resorts with already 5 properties in the country...Thimpu, Paro, Gangtey, Punakha and Bumthang, with the Taj and Uma chains) are building properties, and there's now a domestic airport in central Bumthang for those who want to fly from Paro, instead of driving for a couple of days.

Shane Green, a photographer who's joining my forthcoming photo workshop in Vietnam, just returned from Bhutan along with his wife, and emailed me his impressions, and they confirm what I have sensed and noticed over the past few years.

Yes, Bhutan is still a wonderful country to visit, and the Bhutanese are some of the most gracious people one can hope to meet, however exploding consumerism, modernisation and urbanisation are taking their toll. Thimpu seems to be a huge building site, with many leaving their rural living to make a living in its capital.

In 2009, I recall having a cappuccino with a Thimpu resident in a Starbucks look-alike cafe and then playing snookers (and drinking too much beer) at a sort of watering hole with some of my group, amongst Bhutanese teenagers. And yet, a few days before, dinner in a Jakar hole-in-the-wall, consisted of Tibetan momos cooked the traditional way in a dingy smoky kitchen.

It wasn't too long ago that most, if not all, Bhutanese women had their hair in pageboy cuts, but with the advent of television bringing with it 46 channels exposing people to Indian (and others) programs, they started to grow it, following the Bollywood fashion.

Shane went as far as remote Ura, in the central Bhutan, where I don't recall seeing any tourists there as recently as 2009...and yet now, tourists outnumbered the local audience at its annual festival.

Is it over for Bhutan as a specialty destination? I hope not...but I don't see how its tourism authorities can retain the country's cachet against an encroaching modernism, especially with a population that seeks a more affluent standard of living brought about by tourists and other sources.

After all, look at what's happening in Siem Reap...and Angkor!

I predict it won't be long before the Ugyencholing elderly man in this post's photograph will be holding a Blackberry or a Nokia...if he doesn't have it already.

Tuesday, May 15, 2012

Diana Markosian: The Girls of Chechnya

Photo © Diana Markosian-All Rights Reserved
An interesting glimpse in an area that a relatively few are really familiar with...Chechnya, was recently featured by TIME Lightbox.

Diana Markosian's Goodbye My Chechnya is such a glimpse into the lives of young Chechen women who witnessed the horrors of two wars, and are coming of age in a country that is rapidly rediscovering its Muslim laws and traditions.

It's particularly interesting to view Diana's photographs of these Chechen women and their traditions and compare them to Oded Balilty's photographs of the Jewish ultra orthodox communities, which included a series on a traditional Hasidic Jewish wedding.

Two separate religious traditions, often at odds with each other....and yet similar in so many ways. And as both photo essays are made of such compelling photographs, that the comparison between the two from an aesthetic point of view bring this point very clearly to the forefront.

According to Diana Markosian,  Chechnya is experiencing a wave of Islamicization since the collapse of the Soviet Union.  Religious dress codes are the rule, young (and polygamous) marriages are frequent and gender roles are increasingly conservative.

Monday, May 14, 2012

NYC's Hudson River Pageant With The Fujifilm X Pro-1

Photo © Tewfic El-Sawy- (Click To Enlarge)


Photo © Tewfic El-Sawy- (Click To Enlarge)


Photo © Tewfic El-Sawy- (Click To Enlarge)


Photo © Tewfic El-Sawy- (Click To Enlarge)
Chancing upon the Earth Celebration Hudson River Pageant on Saturday gave me the ample opportunity to try out my new Fujifilm X-Pro1 in a non-street shooting situation. As it was almost noon, the sun was really quite harsh, and I had to make do with intense glare off the concrete boardwalk, and rather deep shadows.

I had the only lens I have for the X Pro-1; the Fujinon18 mm f 2.0. Two of the four images were made at f16, and two others at f5.6...and all were at 200 iso. Oh, and I had neglected to bring the lens hood!

It was a pleasure to shoot with such a small unobtrusive camera, although I had to get  really close in some cases to get the photograph I wanted. There were some other professional photographers there; some with the almost obligatory 70-200 lenses, who probably made some lovely close up portraits (I did too...later on when I trooped back to the Hudson River Park with my own Canon 5D Mark II and the 70-200 f 2.8.

But back to the Fujifilm X Pro-1...these were made by choosing the Velvia Film Simulation setting, and Auto White Balance. I intended to get an overly saturated result for all these colored costumes, and I think I chose right.

By the way, Thomas Menk's Fuji X-Pro1/Scoop It website is one of the best ways to keep track of various reviews for this camera, and for its rumor, samples and news. If you're interested in the X Pro-1 or thinking of buying one, follow it.

And for those ecologically minded, the Hudson River Pageant was part of Earth Celebration’s fourth annual events to restore the native species and habitats of the Hudson River.

More on Oswiecim Life Festival

Photo (c) Ruth Ellen Gruber


By Ruth Ellen Gruber

I was very glad to have gone to Oswiecim for the Oswiecim Life Festival, even though I missed the big final stadium concert Sunday night with Peter Gabriel as headliner -- it apparently was Gabriel's only appearance (perhaps first apperance?) in Poland, and I even saw the concert advertised on a city bus in Warsaw. Tickets were pricey, and there was a press center set up in the International Youth Meeting Center, next to the stadium.

I stayed at the Center -- run by a German foundation, it hosts groups on study tours to Auschwitiz and organizes programs on tolerance and dialogue. (When I went in for breakfast, two tables occupied by burly young men were designated "Hamburg Polizei.) The Center has been around since 1986, and I wrote about it in my 1994 book Upon the Doorposts of Thy House, whose final chapter is a day to day description of my being snowbound in Oswiecim for nearly 4 days, and a reflection on how the shadow of the Auschwitz camp looms over the city.

Saturday afternoon, the Center hosted an intense -- and hours-long -- panel discussion on hate speech in the Polish internet scene and what can be done to combat it. Tomek Kuncewicz of the Auschwitz Jewish Center told me that he would like to see future editions of the Life Festival include more workshops and other events like this.

Outside the theatre. Photo (c) Ruth Ellen Gruber


Besides concerts and a theatre performance, the Festival also sponsored public art projects -- a big mural, as well as other murals painted on walls around town that featured Polish and other figures of moral authority (Pope John Paul II, Vaclav Havel, Jacek Kuron, etc) with quotations from them about civil rights, tolerance, etc etc.

The one of the pope -- painted near the market square just opposite the city's main church -- specifically addressed anti-Semitism.

"Anti-Semitism is a Sin against God and Humanity"  Photo (c) Ruth Ellen Gruber


At the Life Festival, I did go to the free concert Saturday night in the Rynek, or town square -- a space that is slated for redevelopment this summer.

The concert began in cold rain -- only a handful of people braved the weather to hear the Israeli  Schahar Gilad band.  I went for dinner with friends and then came back for the final set -- a terrific performance by a legenday Polish blues rock band called Dzem, which has been around for 25 years or so..... The weather had cleared and the square was packed.

We stood at the very back of the crowd, on the edge of the square -- it was worth it just two watch this dude get into the music:



More on Oswiecim Life Festival

Photo (c) Ruth Ellen Gruber


By Ruth Ellen Gruber

I was very glad to have gone to Oswiecim for the Oswiecim Life Festival, even though I missed the big final stadium concert Sunday night with Peter Gabriel as headliner -- it apparently was Gabriel's only appearance (perhaps first apperance?) in Poland, and I even saw the concert advertised on a city bus in Warsaw. Tickets were pricey, and there was a press center set up in the International Youth Meeting Center, next to the stadium.

I stayed at the Center -- run by a German foundation, it hosts groups on study tours to Auschwitiz and organizes programs on tolerance and dialogue. (When I went in for breakfast, two tables occupied by burly young men were designated "Hamburg Polizei.) The Center has been around since 1986, and I wrote about it in my 1994 book Upon the Doorposts of Thy House, whose final chapter is a day to day description of my being snowbound in Oswiecim for nearly 4 days, and a reflection on how the shadow of the Auschwitz camp looms over the city.

Saturday afternoon, the Center hosted an intense -- and hours-long -- panel discussion on hate speech in the Polish internet scene and what can be done to combat it. Tomek Kuncewicz of the Auschwitz Jewish Center told me that he would like to see future editions of the Life Festival include more workshops and other events like this.

Outside the theatre. Photo (c) Ruth Ellen Gruber


Besides concerts and a theatre performance, the Festival also sponsored public art projects -- a big mural, as well as other murals painted on walls around town that featured Polish and other figures of moral authority (Pope John Paul II, Vaclav Havel, Jacek Kuron, etc) with quotations from them about civil rights, tolerance, etc etc.

The one of the pope -- painted near the market square just opposite the city's main church -- specifically addressed anti-Semitism.

"Anti-Semitism is a Sin against God and Humanity"  Photo (c) Ruth Ellen Gruber


At the Life Festival, I did go to the free concert Saturday night in the Rynek, or town square -- a space that is slated for redevelopment this summer.

The concert began in cold rain -- only a handful of people braved the weather to hear the Israeli  Schahar Gilad band.  I went for dinner with friends and then came back for the final set -- a terrific performance by a legenday Polish blues rock band called Dzem, which has been around for 25 years or so..... The weather had cleared and the square was packed.

We stood at the very back of the crowd, on the edge of the square -- it was worth it just two watch this dude get into the music:



Sunday, May 13, 2012

POV: The Best Marigold Hotel




Go see this movie!!!! No matter how old or young you are...you'll spend an enjoyable two hours in the company of world class actors...wit and realism.

The best line in the movie (and beyond) is uttered by Dev Patel:

 "Everything will be all right in the end... if it's not all right then it's not the end."

Priceless!

Saturday, May 12, 2012

Life Festival in Oswiecim

 This post originally appeared on my En Route blog for the Los Angeles Jewish Journal


By Ruth Ellen Gruber

I’ve been in Warsaw the past week and just came down yesterday to Oswiecim—the little city in southern Poland outside of which Auschwitz is located. I’m not here to pay homage at the death camp (which I have visited a number of times) but to attend part of the third edition of the Oswiecim Life Festival, which is aimed at using (mainly) youth-oriented music and arts to promote tolerance. There are concerts (I’ll have to miss the biggie—Peter Gabriel and others Sunday night in the local stadium), performances, educational programs and public meetings. Last year, Matisyahu was the headliner—I wrote about it in a JTA article about the city of Oswiecim wrestling with its past.

Last night, I went with my friend Tomek Kunciewicz, the director of the Auschwitz Jewish Center, to a stage performance in the town’s theatre, which is part of the local cultural center. It was the Polish language version of the English play “Shirley Valentine,” and starred the great Polish actress Krystyna Janda. Ahead of the play was the formal presentation of a mural symbolizing the arts and peace—each year another, different mural on these themes is painted on a city wall and left there as a permanent reminder of the Festival.

Life Festival in Oswiecim

 This post originally appeared on my En Route blog for the Los Angeles Jewish Journal


By Ruth Ellen Gruber

I’ve been in Warsaw the past week and just came down yesterday to Oswiecim—the little city in southern Poland outside of which Auschwitz is located. I’m not here to pay homage at the death camp (which I have visited a number of times) but to attend part of the third edition of the Oswiecim Life Festival, which is aimed at using (mainly) youth-oriented music and arts to promote tolerance. There are concerts (I’ll have to miss the biggie—Peter Gabriel and others Sunday night in the local stadium), performances, educational programs and public meetings. Last year, Matisyahu was the headliner—I wrote about it in a JTA article about the city of Oswiecim wrestling with its past.

Last night, I went with my friend Tomek Kunciewicz, the director of the Auschwitz Jewish Center, to a stage performance in the town’s theatre, which is part of the local cultural center. It was the Polish language version of the English play “Shirley Valentine,” and starred the great Polish actress Krystyna Janda. Ahead of the play was the formal presentation of a mural symbolizing the arts and peace—each year another, different mural on these themes is painted on a city wall and left there as a permanent reminder of the Festival.

Ed Ou: Yemeni Camel Jumping

Photo © Ed Ou/Reportage by Getty Images (Courtesy The New York Times)

I enjoyed Ed Ou's account in the LENS blog of The New York Times of how he had stumbled across the unusual practice of camel jumping in Yemen.  The photographer, known for having documented most of the events during the Arab Spring, was in the country and decided to revisit the remote region of Tehama, which had been the site of one of his most memorable photographic experiences in 2009.

Camel-jumping is an event that takes place during celebrations in that region, which counts as one of the poorest in the country. It seems that in the early evening, 4 or 5 camels are lined up, the contestants take running starts and leap over the animals.

It got me wondering if there was any connection between this form of contest and the jumping of the bulls ceremony practiced by the Hamar tribe (and others) in the Omo Valley in Southern Ethiopia. The jumping of the bulls is more of a marriage ritual and ceremony than a contest, since the men performing it are about to get married...and should they fail to jump over the bulls four times, they won't be allowed to wed.

After all, Yemen and Ethiopia are geographically close to each other, and have very strong historical, commercial, religious and cultural ties.

Here's also a short video by Ed Ou of the camel jumping contests.


Friday, May 11, 2012

 

This post first appeared in The Jew & the Carrot blog of The Forward

 

Stuffed Cabbage From the Polish Border

By Ruth Ellen Gruber

Photo: Mayhill Fowler

SEJNY, POLAND — The first time I visited Lithuania in 2006 I was overwhelmed by the extraordinary sensation that I was traveling through a giant Jewish deli that extended across the entire country. Blintzes! Latkes! Sour cream! Herring! Smoked fish! Black bread! And even — on the breakfast buffet of one hotel I stayed in — vodka, at 8 in the morning.

Recently I spent a week in the far northeast of Poland in the town of Sejny, so close to the border with Lithuania that my cell phone kept jumping back and forth between the two national networks.

I was there for a series of events hosted by Borderland Foundation, an organization that works toward inter-ethnic cultural and artistic interchange, along with promoting an understanding of Jewish culture, heritage and memory.

Throughout the week, a range of symposia, concerts and debates, hosted at an old Yeshiva and at a manor house where the Nobel-prizewinning Polish poet Czeslaw Milosz spent holidays in his youth, provided much food for thought. At the same time, a veritable feast for the palate was provided by two local chefs — Grażyna Łowiagin, who runs a country restaurant call Gospoda in the nearby village of Dusznica, and Wojtek Konikowski, who heads the kitchen at the Skarpa restaurant in Sejny — who served a range of wonderful local specialties each day at lunch and dinner. It was East European comfort food at its best: bliss for me, as I just can’t find this type of cuisine in Italy, where I spend much of my time.

Meals featured traditional regional dishes found in this border area of Poland and Lithuania. We had potato pancakes served with sour cream sauce; kartacze — huge, chewy potato dumplings stuffed with meat or white cheese; kiszka (kishkes; intestines) stuffed with potato; and soczewiaki and kakory — deep fried or baked potato cakes stuffed with lentils and kasha: they are so characteristic of the region that they have been registered on a list of traditional products. Soups included chlodnik (cold borsht with cream and dill); and cucumber soup. For dessert, there was a dry, semi-sweet cake called sekacz, shaped like a miniature tree.

One standout dish was a vegetarian version of golabki, or stuffed cabbage — a dish found in many varieties all over eastern and central Europe. In Yiddish it’s called holishkes and is often served at Sukkot, topped with a sweet and sour sauce made with tomatoes, apples and raisins.
Stuffed cabbage it is typically made with a meat filling, and I have to say that I never really liked my mother’s own recipe that called for a filling of minced meat and rice, but chef Konikowski at the Skarpa restaurant prepared a delectable version stuffed with kasha and mushrooms, accompanied by a sauce made from double cream and mushrooms.

I persuaded chef Jonikowksi to part with his recipe for kasha and mushroom stuffed cabbage. His quantities and measures are a little ad hoc, and he warned me that much of the recipe had to be carried out “to taste,” including how long to bake it at the end.

Filling:
 
2.2 pounds Kasha (buckwheat groats) (You may not need this much!)
 Salt, black pepper
 One egg
 3-4 tablespoons breadcrumbs
 12 ounces chopped fresh mushrooms

Boil the kasha, drain then let it cool (wholegrain kasha should take about 20 minutes)

Saute the chopped mushrooms in butter until tender (some cooks also like to sautéed chopped onions). Remove from heat and let cool down.

Add the egg, breadcrumbs and sautéed mushrooms (and onions if used) to the kasha, season to taste with salt and pepper and mix well.

Wrappers:
 
Remove the hard stalk and boil one whole head of cabbage until the leaves can be removed whole – white cabbage will do (and is what Konikowski used for the golabki he served us, but he says he actually prefers Savoy cabbage, which gives a more delicate flavor and texture.) This can take up to 40 minutes. Some cooks remove the outer layers as they become tender, leaving the inner ones to cook.

Remove any hard core from the leaves

Place stuffing on the leaves and roll them into envelopes, folding over the edges to put the “seam” underneath.

Place the rolls, seam down, tightly packed into a pan greased with butter, add water to just cover the rolls, cover and then bake for about 20 minutes in a 400 degree oven. You can then uncover and bake for another 10 minutes or so to let the rolls brown.

Sauce:
 
Saute mushrooms in butter; stir in sour cream or double cream until it reaches the “runniness” and consistency you prefer. Season with salt, pepper to taste and pour over the hot cabbage dumplings.
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