Smart phone apps for Jewish sites in Warsaw and Berlin

 This post also appears on my En Route blog for the Los Angeles Jewish Journal

 By Ruth Ellen Gruber

I’ve been on the road for the past 10 days, and I have a backlog of material to catch up on with postings…. both items I have seen online and on-site visits I’ve made myself.

One new development is the release of smart phone apps that guide you around several Jewish sites in Berlin and Warsaw. Smart phone and tablet apps are clearly the self-tour guides of the future that are becoming the present….

The new ones I’ve noticed recently include an app that guides you around the Warsaw of Holocaust hero Janusz Korczak. Called “My Warsaw,” it is a project of the forthcoming Museum of the History of Polish Jews—it’s available for free on the iTunes store, but I’m not sure about other platforms. This is what Virtual Shtetl says:

The application spans two tourist routes. The first one guides you through places related to Janusz Korczak’s early and late childhood while the other shows Korczak’s life story during World War II. Both routes comprise almost fifty described places. The “My Warsaw-Warszawa jest moja” project shows now nonexistent Warsaw through pictures, audio recordings, a quiz, quotations and the augmented reality system. It sets an example of a novel approach of learning by having fun by means of state-of-the-art technologies.

You can download this bilingual Polish-English application on GooglePlay and AppStore for free.
The application is designed to be a modern tool for learning and teaching history. The only thing you have to do is take your Smartphone with you and take a walk with your family around Warsaw or organize a memorable outdoor history lesson. Tourists may use it as a city guide while Warsaw residents may discover their home town anew.

Another new app guides users around three historic Jewish cemeteries in Berlin .

Berlin has several Jewish cemeteries, including the huge Weissensee cemetery.

This is what Reuters says about the Berlin cemetery app—but I’m not sure where to get the app, or what platforms it serves. I did not find it on iTunes:

The smartphone programme leads visitors to the graves of Jewish figures such as philosopher Moses Mendelssohn, hotelier Berthold Kempinski, publishers Rudolf Mosse and Samuel Fischermen and also of those who committed suicide to escape deportation to Nazi death camps.

“There is an Internet code at the entrance of each cemetery which can be scanned by a smartphone and directly connects to the cemeteries’ website,” the cemeteries’ inspector Hilel Goldmann said.

The Internet programme is steered by a GPS navigation device and enables the visitors to plan their own ‘tour’ choosing among about 160 of the 150,000 graves in the three Berlin cemeteries, Goldmann said.

New!!! The Travel Photographer's New Website

Well, as it was raining almost all day in New York City, I managed to finish the first phase of my new personal website (www.telsawy.com).

It's flash-based, iPad and iPhone-friendly and I think it looks really cool with a very large image of a Kathakali dancer, whose put-on scowling face is a perfect fit for welcoming viewers! 

More seriously; I've started the website with 5 galleries...The Oracles of Kali (my latest photo essay), Canang (Bali), Kolkata, Tsechu (Bhutan), and The Kutch. The images chosen for these galleries are a mix of documentary photography and pure travel photography. 

The website's opening spread also has direct links to The Travel Photographer's blog, my Twitter feed, my Facebook page and my Vimeo multimedia page.

I will start the second phase of the website in a couple of weeks.

This new website is separate from The Travel Photographer which features my photo expeditions and workshops, photo essays, multimedia, and books. 

So bookmark both if you're interested, and keep an eye open for more galleries in the weeks to come!

Stephen Dupont: A Tale of Two Slums

Photo © Stephen Dupont-All Rights Reserved

I really liked these two photographic essays of Polaroids made in the Mumbai slum Dharavi and the Senen slum of Jakarta by Stephen Dupont, an Australian photographer.

Dharavi is one of the world's largest slum and lies on prime real estate in the middle of India's financial capital, Mumbai and has a population estimated to be 1 million. Many businesses flourish in this slum, such as traditional pottery and textiles, a recycling industry, which generate an estimated $650 million turnover a year.

As for the Senen slum, it's a trackside slum in central Jakarta. It's also a center for recycling, and its inhabitants live cheek to jowl with the thundering trains.

Stephen Dupont has produced a photographs of fragile cultures and marginalized peoples, which capture the human dignity of his subjects, and do so with great intimacy and often in some of the world’s most dangerous regions. His work has earned him prestigious prizes, including a Robert Capa Gold Medal citation from the Overseas Press Club of America; a Bayeux War Correspondent’s Prize; and first places in the World Press Photo, Pictures of the Year International, the Australian Walkleys, and Leica/CCP Documentary Award.

His work has been featured in The New Yorker, Aperture, Newsweek, Time, GQ, Esquire, French and German GEO, Le Figaro, Liberation, The Sunday Times Magazine, The Independent, The Guardian, The New York Times Magazine, Stern, The Australian Financial Review Magazine, and Vanity Fair.

He has held major exhibitions in London, Paris, New York, Sydney, Canberra, Tokyo, and Shanghai, and at Perpignan’s Visa Pour L’Image, China’s Ping Yao and Holland’s Noorderlicht festivals.

POV: Have We Gone Over The Top?

Stanley Greene, in my view one of the best photojournalists in the business, just recently said “I honestly believe photography is 75 percent chance, and 25 percent skill. In accidents, we really discover the magic of photography” during the LOOK3 festival in Charlottesville.

I agree wholeheartedly. All of us will agree. We might differ as to the percentages (I'm more in the 85% in favor of serendipity camp), but the concept is right on the money. Whether in photography, photojournalism, medicine, chemistry, technology, biology, etc....accidents have led to fresh discoveries, new approaches and life changing products. No question about that.

But does this really qualify as "magic of photography"? If so, I have a lot of the same in a filing cabinet  somewhere...so I must be a magician...and I bet you are too.

There's no question the photographer involved is talented and has produced a lot of laudable work, but is this even remotely serious?!

I agree that serendipitous accidents can produce remarkable results in photography. For example, unintentional double or triple exposures often give us wonderful images...but not everything unintentional works...and ought not to be palmed off as such.

Are our aesthetic values so impaired by Instagram, Hipstamatic, etc filters that accidental so-called "half photos" are raved about? Are we expected to genuflect in agreement to the sacred cows of photography who applaud stuff like that? And imitate other influenceable photographers who inexplicably oooh and aaah about it?

I know I won't. Show me the full frames that follow these half photos, and I'll applaud if they're good.

I realize some won't agree with me. That's fine. They might be right. I may be right. I guess it's a matter of different personal perspectives...but let's keep our feet firmly planted on level ground for a change, and call a spade for what it is...a spade.

"La Farniente" Or The Art Of Doing Nothing

Photo © Tewfic El-Sawy-All Rights Reserved

I'm taking the weekend off from blogging, and enjoying the Hudson Valley. By Sunday afternoon, I'll be hankering for New York City...and I'll be back.

No, I don't drink that stuff....it's just for show.

Tahnia Roberts: Ngaben

Photo © Tahnia Roberts-All Rights Reserved

Ngaben is the cremation ritual/ceremony performed in Bali to send the deceased to the next life. The bodies of the deceased are placed in elaborate sarcophagi, and cremated following rituals and ceremonies that are full of simultaneous solemn and joyous pomp. The Balinese believe that the deceased will either reincarnate or find final rest known as moksha, and that the bodies are temporary shells, considered impure.

Tahnia Roberts' Ngaben is a collection of photographs she made during the cremation of the late A.A. Mangkling, an elderly Balinese. A word of caution is necessary since there are images of the deceased in full view. I ought to add that Ms Roberts had the permission of the family to photograph the cremation ceremony. Her description of cremation ceremonies is quite comprehensive and informative.

Tahnia Roberts is a portrait and documentary photographer, originally from New Zealand, who is currently resident in SE Asia traveling extensively to experience authentic cultural activities of the region.

I suppose I ought to mention my own Ngaben gallery, which was more rural and perhaps less elaborate than the one documented by Ms Roberts.

NYTimes online on reassessing and reaffirming Jewish Culture in Poland

This post also appears on my En Route blog for the Los Angeles Jewish Journal

Poster for a play called "Zyd, "or "Jew" by Artur Palyga, which deals with anti-Semitism. Photo (c) Ruth Ellen Gruber

By Ruth Ellen Gruber


The development of Jewish - and Jewish-themed—cultural expression and “production” in Poland and other countries is a theme that I have written about for many years, most notably in my book Virtually Jewish: Reinventing Jewish Culture in Europe (BTW—Virtually Jewish is now available as a Kindle e-book.)

I have focused in large part on the relationships between non-Jewish artists, musicians and others with Jewish culture and the way that they have used Jewish themes in their work.

But, in recent years, Jewish artists have also increasingly been exploring Jewish themes and topics, some of them as a way to explore their own identity.

In an article for the New York Times online the journalist Ginanne Brownell reports on this trend, writing about how Jewish artists are reasserting and redefining Jewish culture in Poland. Brownell interviewed me when I was in Poland last month and quotes me in the article—and she also quotes quite a few of my friends!

[A] growing number of Jewish Poles in the artistic sphere ... are exploring the dichotomy of being both Polish and Jewish in 21st-century Poland.

Writers, playwrights, filmmakers and visual artists are tackling everything from anti-Semitism and the Holocaust to coming to terms with their families’ Communist pasts and issues of identity.

“You cannot imagine Polish culture without Jewish culture,” said Pawel Passini, a Lublin-based director and playwright who last year won two awards at the Edinburgh Fringe Festival for his staging of “Turandot.” “I think most people are conscious of that, the problem is how to say it and let people deal with it.”

She goes on:

From the late 1980s — thanks to things like the Krakow Jewish Festival that will take place from June 29 until July 8 this year — Jewish culture, or what is perceived as Jewish culture, has become more popular in Poland. Ms. Gruber described this in her 2002 book “Virtually Jewish” as “familiar exotica,” where there is pseudonostalgia for Jewish culture like the theatrical shtetl world of “Fiddler on the Roof” or wailing, clarinet-infused Klezmer music.

Contemporary Jewish artists are broadening the definition of Jewish culture in Poland. Mr. Passini is a case in point, having become one of the most acclaimed young stage directors in the country. He admits that many of his works — including plays like “Nothing Human” about a young girl trying to find her roots and “Tehillim,” which used choreography based on Hebrew letters — have a focus on spirituality.

Read the full story HERE

NYTimes online on reassessing and reaffirming Jewish Culture in Poland

This post also appears on my En Route blog for the Los Angeles Jewish Journal

Poster for a play called "Zyd, "or "Jew" by Artur Palyga, which deals with anti-Semitism. Photo (c) Ruth Ellen Gruber

By Ruth Ellen Gruber


The development of Jewish - and Jewish-themed—cultural expression and “production” in Poland and other countries is a theme that I have written about for many years, most notably in my book Virtually Jewish: Reinventing Jewish Culture in Europe (BTW—Virtually Jewish is now available as a Kindle e-book.)

I have focused in large part on the relationships between non-Jewish artists, musicians and others with Jewish culture and the way that they have used Jewish themes in their work.

But, in recent years, Jewish artists have also increasingly been exploring Jewish themes and topics, some of them as a way to explore their own identity.

In an article for the New York Times online the journalist Ginanne Brownell reports on this trend, writing about how Jewish artists are reasserting and redefining Jewish culture in Poland. Brownell interviewed me when I was in Poland last month and quotes me in the article—and she also quotes quite a few of my friends!

[A] growing number of Jewish Poles in the artistic sphere ... are exploring the dichotomy of being both Polish and Jewish in 21st-century Poland.

Writers, playwrights, filmmakers and visual artists are tackling everything from anti-Semitism and the Holocaust to coming to terms with their families’ Communist pasts and issues of identity.

“You cannot imagine Polish culture without Jewish culture,” said Pawel Passini, a Lublin-based director and playwright who last year won two awards at the Edinburgh Fringe Festival for his staging of “Turandot.” “I think most people are conscious of that, the problem is how to say it and let people deal with it.”

She goes on:

From the late 1980s — thanks to things like the Krakow Jewish Festival that will take place from June 29 until July 8 this year — Jewish culture, or what is perceived as Jewish culture, has become more popular in Poland. Ms. Gruber described this in her 2002 book “Virtually Jewish” as “familiar exotica,” where there is pseudonostalgia for Jewish culture like the theatrical shtetl world of “Fiddler on the Roof” or wailing, clarinet-infused Klezmer music.

Contemporary Jewish artists are broadening the definition of Jewish culture in Poland. Mr. Passini is a case in point, having become one of the most acclaimed young stage directors in the country. He admits that many of his works — including plays like “Nothing Human” about a young girl trying to find her roots and “Tehillim,” which used choreography based on Hebrew letters — have a focus on spirituality.

Read the full story HERE

Fuji X Pro-1: Shooting From The Hip/Vivid vs B&W

Photo © Tewfic El-Sawy-All Rights Reserved

Photo © Tewfic El-Sawy-All Rights Reserved

With this month's credit card statement settled, I can now claim complete ownership of my Fujifilm X Pro-1 and the Fujinon 18mm lens that I bought last month, so feel I've earned the right to update my impressions having used it in the streets of New York as frequently as I could.

Let me start by saying that looks can be deceiving. Operating the Fujifilm X Pro-1's various options can be quite complex, and took longer than I expected, especially as I have the unfortunate habit of not reading manuals, preferring to learn on the fly.

Much has been written (and continues to be written) on the X Pro-1's performance, strong and weak points, quirks (some infuriating and others not so much) and superlative image quality...so I won't repeat them here, apart from saying this:

1. As I do much of my street photography in the streets of NYC by shooting from the hip, I rely on the X Pro-1's auto focus. Its auto focus is not infallible, but even my Canon 5D Mark II and 7D are not, so that's an issue I can easily live with. The main gripe I have with the X Pro-1 is that it occasionally goes to sleep, and it takes a few jabs at its shutter to wake it up. By that time of course, the subject of my attention has walked on by, or the moment I wanted to capture passed.

And to me, that's the main negative of the X Pro-1 insofar as shooting from the hip is concerned.

2. I tried a couple of color film settings, and I'm occasionally disappointed in the rendition of the Velvia (or vivid) setting. The color photograph above was made using the Vivid film simulation setting, and I just don't like it. While the whole scene is more or less fine, the color of the man's jeans (as an example) is unnatural, and seems too over-saturated.

3. The battery life of the X Pro-1 sucks. As I mentioned in previous posts, I manage to get about 300 images on one charge (that includes a bit of chimping). On the other hand, it recharges quite rapidly. So on my shopping list, is another battery. For an all day kind of shooting, 2 batteries (and perhaps 3) are the minimum.

That all said, I am quite satisfied with the performance of the X Pro-1 and I anticipate getting more comfortable with it during the next few weeks, and also expect that Fuji will come up with further firmware updates.

I added a monochrome version (processed via LR) which I much prefer to the color one. I suspect that if I claimed that it came from the new Leica MM, no one would guess otherwise.

Finally, for a website that aggregates all there is to know about the Fuji X Pro-1, drop by Thomas Menk's Scoop.it | Fuji X Pro 1 blog.

Photoburst Goes Big (And Large)

I have blogged about Photoburst, a travel photography daily contest, before...however hts website was just revamped in a dramatic fashion, with its daily winning photograph large enough to take up all of my large monitor...and readers of this blog know my often expressed preference for large images.

It's a real eye-candy now!

The basis for the contest is a simple one. The best photograph submitted by its contributors is uploaded, and showcased for that day. The author of the best photo of the month receives a US$50 gift certificate to Kiva.

Gastão Bettencourt, Pedro de Sousa and Pedro Patrício are the three photographers behind Photoburst, and since inception, it attracted hundreds and hundreds of travel photographers and their submissions. I've seen impressive quality amongst the submissions, from well-established photographers with professionally-built websites, and from emerging photographers with Flickr galleries. The submissions range from landscapes to environmental portraiture, from candids to posed photographs.

Photoburst also affirms that all photographs contained on its website remain the property of their authors, as indicated over each photograph.

So whether you seek to participate in Photoburst's contest by submitting one of your travel photographs or just get your daily travel photography fix, bookmark its website and make it a daily destination. You're certain to get your travel photography buzz!

Christian Witkin: Ethiopia

Photo © Christian Witkin-All Rights Reserved

"You can read people's faces, you can see how they treat themselves, what kind of lives they live, it's all in the exterior." 

Here's the work of Christian Witkin, a Brooklyn-based photographer known for his advertising and editorial work for major publications, who's now returning to fine art, the foundation of his personal photographic work.

His current projects include a massive 16-year study of India, Women, Ethiopia and a Thai Ladyboy project. I was curious to see how an advertising, celebrity and fine art photographer would depict the beauty of the Ethiopian people, and you can judge for yourself how well he's done it.

I was very interested to read in article on Cool Hunting as to how Christian took a medium format camera to 14th Street (which is one of my favorites spots for street photography) in order to build his portfolio, and that he now uses a 4 x 5 Linhof Technika (a large format camera system) when he travels. He also espouses the style of rarely cropping his photographs.

The Thai Ladyboy portraits are also masterfully photographed and composed.

Working On Another Website

No post(s) today...nor perhaps tomorrow.

I'm working on a new website (as if I needed another one!) for my photography which may see the day in the weeks to come.

New: One Image One Sound Stories

Photo © Tewfic El-Sawy-All Rights Reserved

I am a member of Cowbird which describes itself as "...a small community of storytellers, focused on a deeper, longer-lasting, more personal kind of storytelling than you’re likely to find anywhere else on the Web."

I occasionally upload some of my photographs along with a short audio clip to it, and now have 9 stories under my name. The latest two are The Sufis of Cairo which I photographed (and recorded) a couple of years ago in one of the impoverished neighborhoods of Old Cairo.

Photo © Tewfic El-Sawy-All Rights Reserved

I also uploaded another photograph of The Shadow Puppets of Kerala as well as an accompanying sound clip of the performance which we attended during The Oracles of Kerala Photo Expedition-Workshop.


It's really fun...and takes no time at all.

Rasha Yousif: Katha'Kali And More

Photo © Rasha Yousif-All Rights Reserved

As a photo expedition-workshop leader,  I very frequently see fantastic photographs by participants that make me wonder (after I stomp my feet in frustration) why I haven't shot them too, but I'm also glad it was these photo workshops that made these possible.

One of these photographs is the one made by Rasha Yousif of the Katha'kali dancer in full regalia, adjusting his belt. It was during The Oracles of Kerala Photo Expedition/Workshop™ this past March, and which saw us spending the better part of half a day with practitioners of this ancient dance form.

Rasha is a photographer from the island nation of Bahrain, and is a portfolio manager at a financial institution and has a Masters in Finance from DePaul University.

As Rasha writes on her blog: "One of the most memorable experiences I ever had in India was watching Kathakali dance performance. We had access to backstage makeup and costume preparations before the show. I came back from India with 6000+ photos I haven’t gone through most of them. I picked these two just to give a sneak peek of the photos that are yet to come!"

This photograph of a fisherman in Kochi is included a section of her iphone photography on the same blog,  and I encourage you to explore it...there are many gems in there.

Photo © Rasha Yousif-All Rights Reserved